My art is a visual journal of my feelings and insights that transcend language, where creation is not about definitive answers but a luminous journey of becoming. Each piece is a memoir that reflects an emotional journey, spiritual culture and history. Art is my visual prayer, a personal archive of everyday encounters with the eternal.
ਸੀਸ ਭੇਟ
Offering the head
19cm x 13.5cm
Watercolour highlighted with gold on paper
I lift my head into my palm, not as a burden but as an offering—an act of quiet surrender. For so long, I have carried the weight of identity, of control, of self, holding on tightly to the illusion of “I.” But now, in this moment, I let it go. This is not a loss; it is a return—to something greater, something infinite. Like a drop surrendering to the ocean, like a spark dissolving into light, I do not disappear—I become. Surrender is not weakness; it is freedom. It is trust, a gentle falling into the hands of the Divine, where I am not empty but whole.
Original artwork available on request
ਹੋਰਿ ਕੇਤੇ ਗਾਵਨਿ
Hor Kete Gaavan
18cm x 26cm
Watercolour highlighted with gold on paper
In the ambrosial hour, birds aren't just chirping — they’re doing kirtan. Each one sings in its own raag, its own hymn of Simran, praising the Divine. As Guru Nanak says, all of creation sings the Lord’s praises. Sit in stillness, and you’ll hear it — a chorus beyond words.
ਹੋਰਿ ਕੇਤੇ ਗਾਵਨਿ ਸੇ ਮੈ ਚਿਤਿ ਨ ਆਵਨਿ ਨਾਨਕੁ ਕਿਆ ਵੀਚਾਰੇ ॥
So many others are singing that are not coming to my mind, O Nanak, how shall i consider them all?
Original artwork available on request
ਤਖਤਿ ਬੈਠਾ ਅਰਜਨ ਗੁਰੂ
Guru Arjan sits on the throne
17.5cm x 23cm
Gouache highlighted with gold on handmade wasli paper
Inspired by this poetic echo of that timeless moment, when Guru Arjan Sahib, on the edge of martyrdom, spoke with Sayin Miyan Mir. In those quiet words shimmered the depth of surrender—no resistance, no sorrow—only graceful acceptance of the Divine Hukam. A soul seated in stillness, even as the fire rose.
ਸੁਣ ਕੇਹਾ ਸਤਿਗੁਰ ਮੀਆ ਛੋਡੋ ਪ੍ਰਿਤੀ ਚਾਮ ਸੇ
Sun keha Satguru Miyan chhodo preeti chaam se
Listen, said Satguru, oh Miyan. Let go of your attachement to my body
ਕਿਆ ਹੋਆ ਤਨ ਤਪੱ ਗਿਆ ਮਨ ਸ਼ਾਂਤ ਹੈ ਹਰੀ ਨਾਮ ਸੇ
Kiya hoa tun tup gaya mann shaant hai hari naam se
What does it matter if my body is burnt. My Mind is at peace through the name of the divine.
Original artwork available on request
ਨੀਲਾ ਘੋੜਾ
The Blue Horse
17cm x 23cm
Natural pigments highlighted with gold on handmade wasli paper
A majestic blue horse Neela kneels, its cobalt coat shimmering like moonlight, head bowed in humble reverence. In that silent moment, the horse offers itself wholly to the guru’s presence, pledging loyalty to wisdom and courage embodied by sword and book.
Original artwork available on request
ਕੁਦਰਤਿ
Kudrat
18cm x 22cm
Gouache on handmade wasli paper
Kudrat | Nature
Wherever the eye wanders—sky, mountains, animals, flowers—Kudrat is present. The reflection of the divine presence woven through every thread of nature. Inspired by Gurbani: “You are the Creator of all. Your Name is the holiest of the holy.”
Everything we see is not separate from the Divine—it is the Divine.
ਸਭ ਤੇਰੀ ਕੁਦਰਤਿ
Original artwork available on request
ਆਸਾ
Asa
13.5cm x 19.5cm
Watercolour highlighted with gold on paper
Guru Nanak rides the rabab like a celestial chariot, traversing the boundless realms of his favourite Raag Asa. The instrument, played with divine grace, transforms into a vehicle of spiritual exploration, carrying him beyond the constraints of time and space. Every stroke of melody unfurls waves of wisdom, resonating with the soul’s deepest longing. The hues dance between dawn and dusk, echoing the Raag’s essence—hope entwined with reflection. Bhai Mardana’s presence is felt in unseen echoes, his fingers weaving the sacred tune.
Original artwork available on request
ਸਦਾ ਅੰਗ ਸੰਗੇ
Sadaa Ang Sange (Ever present with all)
13.5cm x 19cm
Watercolour highlighted with gold on paper
Trust the Forever Lord and the mountains of struggle will soften into fields of peace. The unshaken, rigid cliffs of life turn lush with His grace. He is always present—unchanging, unwavering. In His light, every storm calms, every path blooms.
Original artwork available on request
ਜਗਜੀਤ
Jagjit
13cm x 19cm
Watercolours highlighted with gold on paper
Inspired by an old video recording.
As Jagjit Singh touches the strings of the Dilruba, time itself seems to dissolve. Each note, delicate yet profound, weaves through the air like a whisper from another realm. The resonance is not just sound—it is a passage, a portal opening into infinite peace. His fingers, moving with divine precision, awaken something beyond the visible, as if the very fabric of existence shivers in bliss. The harmony lingers, settling into the soul like a soft, golden glow. In that moment, there is no separation—only Aanand, only the echo of the eternal calling us home.
Original artwork available on request
ਕਲਜੁਗ x ਨਾਨਕ
Kaliyug x Nanak
2025
21cm x 27cm
Watercolours heightened with gold on paper
From Janamsakhi stories (Guru Nanak):
Story of Kaliyug
Kaliyug bowed down in front of Guru Nanak and promised him that he would refrain from exercising his evil influence over his Sikhs and Sangat.
Kapoor Saab Paintings, Kapoorsaab work
Original artwork is now In a private collection
ਹਰਿ ਕਾ ਬਿਲੋਵਨਾ
Har Ka Bilowna ( churn of the Lord)
17cm x 23 cm
Natural pigments heightened with gold on handmade wasli paper
How beautifully Kabir sahib timeless wisdom turns routine into revelation. Turn your daily grind into divine devotion—make your body the vessel, your mind the churn, and extract the sacred butter of the Lord’s essence.
Churn the churn of the Lord, O my Siblings of Destiny. Churn it steadily, so that the essence, the butter, may not be lost. ||1||Pause||
Make your body the churning jar, and use the stick of your mind to churn it. Gather the curds of the Word of the Shabad. ||2||
Original artwork available on request
ਪਾਤੀ ਪਾਤੀ ਜੀਉ
Guru Har Rai
17cm x 23cm
Natural pigments heightened with gold on handmade wasli paper
Guru Har Rai Sahib Ji – a visionary, a healer, and a true guardian of nature.
This creative rendition celebrates his royal grace, Maharaj with his horse amidst the splendor of Naulakha Bagh – the garden of 900,000 medicinal herbs and plants lovingly nurtured by him. The artwork also reflects the vibrant zoo he maintained at Kiratpur Sahib, symbolizing his compassion for all living beings.
Rooted in his profound philosophy, Guru Har Rai Sahib Ji saw life in every leaf, embodying a deep reverence for all forms of creation. This painting is a reminder of his legacy in healing, harmony, and stewardship of nature.
ਪਾਤੀ ਪਾਤੀ ਜੀਉ
Original artwork is now In a private collection of Davinder Toor
ਮਨੁ ਮੰਦਰੁ
Mann Mandir
12.5cm x 18.5cm
Natural pigments heightened with gold on handmade wasli
Mann Mandir is a deeply personal exploration of my own journey inward, where meditation transforms the mind into a sacred temple. Seated in stillness, I depicted myself as the embodiment of surrender, with a temple emerging from within—symbolizing the divine sanctuary that resides in us all. Through intricate details, soft light, and muted tones, I sought to convey the transition from the material to the spiritual, capturing the profound realization that divinity is not external but found within the self.
Original artwork is now In a private collection
ਨਾਨਕ
Nanak
Gouache on paper
19cm x 25 cm
As we celebrate the Prakash Purab of Sri Guru Nanak Sahib Ji, I’m revisiting a painting that holds deep resonance for me.
The inspiration for this piece comes from an awe-inspiring moment in the Janamsakhis. It recounts the instance when Guru Nanak Sahib Ji disappeared into the River Bein, reemerging three days later, profoundly transformed. It was here that he proclaimed, “There is no Hindu and there is no Musalman. There is only one God, and all are equal before it.”
This revelation marked the birth of the Mool Mantra, ੴ “Ik Onkar,” a timeless reminder of unity and oneness.
The painting captures this moment of divine Samaadhi in the waters of the Bein. The inverted portrayal symbolizes the depth of that meditative state and the radiant emergence of the Mool Mantra from within.
May this depiction serve as a gentle reminder of the oneness that binds us all.
Original artwork is now In a private collection of Runjeet Singh
A4 size fine art print finished in 24k gold is available in the shop.
ਦਾਣੇ
Daane
13cm x 18cm
Watercolour heightened with silver and gold on paper
Although the correct incident was that the monkey snatched the ice cream I was eating, but let's just say we shared it.
ਜਹਾ ਦਾਣੇ ਤਹਾਂ ਖਾਣੇ ਨਾਨਕਾ ਸਚੁ ਹੇ ॥੨॥
Wherever his food is, there he eats it; O Nanak this is the truth.
Original artwork available on request
ਮਾਈ
Mother
12cm x 18cm
Watercolour heightened with gold on paper
Her name was Bholi (The innocent one), and for most of us, she was the innocent one. Soft, sweet and caring.
Today on her birthday, as I am reflecting on her life, I have realized that she was always a warrior—fierce as Chandi, battling through every corner of life. She stood against society’s expectations, protecting her children, and fighting for her rights within the family. Even when illness took hold, she faced it with the same unwavering strength. Now, she rests, and along with her the fierce spark she had.
Through it all, her heart always held me close, worried while I was far from home. And as I made my way back, all I wanted was to reassure her that her son had returned home with a much greater profit.
ਮਾਈ ਖਾਟਿ ਆਇਓ ਘਰਿ ਪੂਤਾ ॥
ਸੰਘਰਸ਼ ੨੦੨੪
Sangharsh 2024
11.2cm x 17.2 cm
Watercolour heightened with Gold
Their turbans, once symbols of honour and peace, now bear the weight of resistance.
Hands hardened by toil clutch nothing but the air between them and the barricades, meant not to protect, but to divide. Bowed in Ardaas, their bodies bend yet remain unbroken, as divine light graces their foreheads, igniting an unwavering faith that fuels their march. The air trembles—not with fear, but with conviction. The soil, their soil, is not just beneath their feet; it runs through their veins, echoes in their voices, and refuses to be silenced. The scene lingers—unfinished, like a story still unfolding.
Farmers Protest 2024
Original artwork available on request
ਬਲਦ ਧਰਮ
Dharma the bull
16cm x 19cm (paper: 19cm x 24cm)
Natural pigments heightened with gold on tanned paper
According to Puranas, Dharma (Dharam) is in the bull form and has got 4 pillars (legs) but in each yug, it loses one pillar. And in Kalyug it's only got 1 left.
Dharma the bull should be white actually, but due to the impact of kalyug, it’s now turned into grey/black. With all the legs made of prosthetics, Tags and tattoos on the body just like we have the bulls in the modern world
It's a rendition of Dharma’s state in today's world.
Original artwork is now In a private collection of Runjeet Singh
ਬਾਜ
Baaj (Hawk)
10.5cm x 13.5cm (Paper 17cm x 23cm)
Natural pigments heightened with gold on wasli paper
The inspiration came from when my father rescued and heal a baby Hawk and set him free in his space. He still graces us with its presence sometimes, flies around our house or sits on the topmost place on the roof.
In the Mughal period, the goshawk - Baaj was the most prized hawk and was considered to be royal. In South Asia and the Middle East, Kings and emperors kept hawks as a sign of prestige and aristocracy. The Goshawk was considered noble and its prowess in falconry was highly esteemed.
At least four of the ten gurus sahibs kept Baaj, namely: Guru Hargobind Sahib (6), Guru Harrai Sahib (7), Guru Tegh Bahadur Sahib (9), and Guru Gobind Singh Sahib (10).
Many accounts refer to the Guru and the Baaj. One of the famous ones is from the writings of Bhai Nand Lal Goya (Tankhahnama)
ਚਾਰ ਬਰਨ ਇਕ ਬਰਨ ਕਰਾਊਂ। ਵਾਹਿਗੁਰੂ ਕਾ ਜਾਪ ਜਪਾਉੂ। (੫੭)
I will make the four categories into one. I will recite Waheguru recitation
ਚੜੈ੍ਹਂ ਤੁਰੰਗ ਉੜਾਵੈਂ ਬਾਜ। ਤੁਰਕ ਦੇਖ ਕਰ ਜਾਵੈਂ ਭਾਜ਼।(੫੮)
They will mount horses and fly Baajs. The Turks will flee seeing them.
Original artwork available on request
ਤੇਥੋ ਹੀ ਬਲੁ ਰਾਮ ਲੈ ਨਾਲ ਬਾਣਾ ਦਹਸਿਰੁ ਘਾਇਆ ॥
Tetho Hee Bal Raam Le Naal Baana deh sir Ghaiya
(From you only Ram received power and killed ten-headed Raavan with arrows)
17cm x 17cm
Graphite heightened with gold on paper
During Dushehra mahattam (a tradition started by Guru Gobind Singh ji), it is a great opportunity to learn more about your shastra while cleaning and worshipping them. Shastra are another form of Sri Akaal to us. It is the manifestation of Shakti and should be worshipped as such.
ਜਿਤੇ ਸਸਤ੍ਰ ਨਾਮੰ ॥ ਨਮਸਕਾਰ ਤਾਮੰ ॥
While working on this artwork, I followed the tradition and learned the history of a few of the many shastras of Lord Rama from Ramayana. These were:
Sharanga bow - It is the celestial bow of the Hindu god Vishnu known for its indestructibility. a mighty bow capable of shooting arrows that could pierce through the hardest of substances
Indrasatra - the celestial weapon of the Hindu deity Indra, When shot it transformed into many arrows capable of killing many men. Laxman used it against Indrajit. Lord Ram used it against Raavan.
Varunastra - Weapon of Varuna, god associated with sky and water. The weapon brings a large volume of water which washes away a large part of infantry. Lord Rama used the Varunastra to create a path through the ocean so his army could reach Lanka.
Manavastra - the Manavastra is a celestial weapon of Manu that can Carry a target away by hundreds of thousands of yojanas. It also can overcome supernatural powers. Lord Rama used the Manavastra weapon to hit Maricha from a distance with an arrow from his bow.
Varunapasha - The weapon of Varuna, the Hindu god of the oceans, a pasha, which is a noose or rope loop. Not even gods could escape form its grip.
Original artwork available on request
ਅਥਾਹੁ ਕੁੰਡ
Abyss
12 cm x 18cm
watercolour heightened with gold
ਪਉੜੀ
Pauree
ਆਪੇ ਧਰਤੀ ਆਪੇ ਹੈ ਰਾਹਕੁ ਆਪਿ ਜੰਮਾਇ ਪੀਸਾਵੈ ॥
He Himself is the field, and He Himself is the farmer. He Himself grows and grinds the corn.
ਆਪਿ ਪਕਾਵੈ ਆਪਿ ਭਾਂਡੇ ਦੇਇ ਪਰੋਸੈ ਆਪੇ ਹੀ ਬਹਿ ਖਾਵੈ ॥
He Himself cooks it, He Himself puts the food in the dishes, and He Himself sits down to eat.
ਆਪੇ ਜਲੁ ਆਪੇ ਦੇ ਛਿੰਗਾ ਆਪੇ ਚੁਲੀ ਭਰਾਵੈ ॥
He Himself is the water, He Himself gives the tooth-pick, and He Himself offers the mouthwash.
ਆਪੇ ਸੰਗਤਿ ਸਦਿ ਬਹਾਲੈ ਆਪੇ ਵਿਦਾ ਕਰਾਵੈ ॥
He Himself calls and seats the congregation, and He Himself bids them goodbye.
ਜਿਸਨੋ ਕਿਰਪਾਲੁ ਹੋਵੈ ਹਰਿ ਆਪੇ ਤਿਸਨੋ ਹੁਕਮੁ ਮਨਾਵੈ ॥੬॥
One whom the Lord Himself blesses with His Mercy - the Lord causes him to walk according to his will ||6||
Original artwork available on request
ਮਿਲਾਪ
Union
12.5cm x 18.5cm
Natural pigments on paper heightened with gold
If you see lotus everywhere, its because the story has lotus right at the centre of it.
Inspired from the recent beautiful campaign done by @toraniofficial #leela
Original artwork is now In a private collection
ਗਜੇੰਦਰ ਮੋਕਸ਼ ੨੦੨੪
Gajendra Moksh 2024
Graphite on paper heightened with gold
Now in private collection
Story reference from gurbani:
Read how guru Tegh Bahadur ji referred to the story of Gajendra in Salok Mahala 9
ਦੋਹਰਾ
Dohra
ਬਲੁ ਛੁਟਕਿਓ ਬੰਧਨ ਪਰੇ ਕਛੂ ਨ ਹੋਤ ਉਪਾਇ ॥
My strength is exhausted, and I am in bondage; I cannot do anything at all.
ਕਹੁ ਨਾਨਕ ਅਬ ਓਟ ਹਰਿ ਗਜਿ ਜਿਉ ਹੋਹੁ ਸਹਾਇ ॥੫੩॥
Says Nanak, now, the Lord is my Support; He will help me, as He did the elephant (Gaj: Gajendra the Elephant). ||53||
Gajendra Mokṣaḥ (Sanskrit: गजेन्द्रमोक्षः) or The Liberation of Gajendra is a Puranic legend from the 8th Skandha of the Bhāgavata Purāṇa, a sacred text in Hinduism. It is one of the famous exploits of the preserver deity, Vishnu. In this episode, Vishnu came down to earth to protect Gajendra, the elephant, from the clutches of a crocodile, alternatively known as Makara or Huhu, and with Vishnu’s help, Gajendra achieved mokṣa, or liberation.
Original artwork is now In a private collection